Books with title The Brothers Karamazov

Winner of the Pen/Book-of-the-Month Club Translation PrizeThe Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture. This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbalinventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.

After spending four years in a Siberian penal settlement, during which time he underwent a religious conversion, Dostoevsky developed a keen ability for deep character analysis. In The Brothers Karamazov, he explores human nature at its most loathsome and cruel but never flinches at what he finds. The Brothers Karamazov tells the stirring tale of four brothers: the pleasure-seeking, impatient Dmitri; the brilliant and morose Ivan; the gentle, loving, and honest Alyosha; and the illegitimate Smerdyakov: shy, silent, and cruel. The four unite in the murder of one of literature's most despicable characters - their father. This was Dostoevsky's final and best work.

Dostoevsky’s last and greatest novel is, above all, the story of a murder, told with hair-raising intellectual clarity and a feeling for the human condition unsurpassed in world literature. It is a masterpiece that chronicles the bitter love-hate struggle between an outsized father and his three very different sons.The author's towering reputation as one of the handful of thinkers who forged the modern sensibility has sometimes obscured the purely novelistic virtues – brilliant characterizations, flair for suspense and melodrama, instinctive theatricality – that made his work so immensely popular in nineteenth-century Russia. This award-winning translation by Richard Pevear and Larissa Volokhonsky – the definitive version in English – magnificently captures the rich and subtle energies of Dostoevsky’s masterpiece.

Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons--the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha--are all involved at some level. Brilliantly bound up with this psychological drama is Dostoevsky's intense and disturbing exploration of many deeply felt ideas about the existence of God, freedom of will, the collective nature of guilt, and the disastrous consequences of rationalism. Filled with eloquent voices, this new translation fully realizes the power and dramatic virtuosity of Dostoevsky's most brilliant work.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Completed only a few months before the author's death, The Brothers Karamazov is Dostoyevsky's largest, most expansive, most life-embracing work. Filled with human passions ― lust, greed, love, jealousy, sorrow, and humor ― the book is also infused with moral issues and the issue of collective guilt.As in many of Dostoyevsky's novels, the plot centers on a murder. Three brothers, different in character but bound by their ancestry, are drawn into the crime's vortex: Dmitri, a young officer utterly unrestrained in love, hatred, jealousy, and generosity; Ivan, an intellectual capable of delivering impromptu disquisitions about good and evil, God, and the devil; and Alyosha, the youngest brother, preternaturally patient, kind, and loving. Part mystery, part profound philosophical and theological debate, The Brothers Karamazov represents the culmination of Dostoyevsky's life's work and ranks among the greatest novels of all time.

The Brothers Karamazov is a tale of a complicated and broken family headed by a father, Fyodor Karamazov, who becomes entangled with his three sons, whom he neglected, after both mothers died. Dmitri, the eldest brother, has returned home, in search of his father who has in his possession the inheritance that Dmitri's mother left to him. The men quarrel over who should receive the money and the resentment deepens when the two men learn that they are both in love with the same woman, Grushenka. Ivan, a superior intellectual, and Alyosha, an apprentice at a monastery, are the half-brothers of Dmitri and both try to help solve the quarrels between Dmitri and Fyodor. None of the men know each other really well, except for Ivan and Alyosha shared the same mother. When it is discovered there is a fourth brother, Smerdyakov, who has been raised as a servant, more secrets start to emerge, and when Fyodor is murdered, one of the brothers is immediately given the blame. The Brothers Karamazov explores many different philosophical ideologies about family and religion and tests the strength of familial bonds, even those that are newly forged.

The Second Edition of the Norton Critical Edition of The Brothers Karamazov is based on a significantly revised translation by Susan McReynolds. The text is accompanied by a detailed introduction, a pronunciation and explanation key for the novel’s main characters, and greatly revised and expanded explanatory annotations. “Contexts” presents a wealth of background and source materials relating to The Brothers Karamazov, to Dostoevsky’s own experiences, to current events, and to observations on a changing society. Included are the correspondence of influential literary and social critic Vissarion Grigorievich Belinksy and the author’s letters spanning three decades as well as a selection from Dostoevsky’s Diary of a Writer in which readers may trace the origins of this novel. “Criticism” offers a wide range of scholarly commentary on The Brothers Karamazov from American, Russian, and European authors, eleven of them new to the Second Edition and two of them appearing in English for the first time. Contributors include Ralph Matlaw, Valentina Vetlovskaia, Seamas O’Driscoll, William Mills Todd, Vladimir Kantor, Edward Wasiolek, Nathan Rosen, Roger B. Anderson, Robin Feuer Miller, Horst-Jürgen Gerigk, Vladimir Golstein, Robert L. Belknap, Ulrich Schmid, and Gary Saul Morson. A Chronology of Dostoevsky’s life and work and a Selected Bibliography are also included.

Fyodor Dostoyevsky’s final novel, considered to be the culmination of his life’s work, “The Brothers Karamazov” is the story of the murder of Fyodor Pavlovich Karamazov, whose four sons are all to some degree complicit in the crime. Fyodor is a contemptible man who during his two marriages has three sons, Dmitri, Ivan, and Alexei. A fourth, Pavel, whom he employs as his servant, is suspected to be the illegitimate product of a union with “Reeking Lizaveta,” a mute woman of the street who died in childbirth. Fyodor takes little interest in the raising of his children and as a result finds himself in a contentious relationship with them. Within the context of this crime story evolves a brilliant philosophical debate of religion, reason, liberty, and the nature of guilt in a modernizing society. Considered by Sigmund Freud as “The most magnificent novel ever written,” Dostoyevsky’s “The Brothers Karamazov,” remains to this day to be regarded as one of the finest accomplishments of literature in any language. Through the lives and loves of the Karamazovs, Dostoyevsky presents a compelling examination of Russian life in the 19th century. This edition is printed on premium acid-free paper and follows the translation of Constance Garnett.

Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons--the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha--are all involved at some level. Brilliantly bound up with this psychological drama is Dostoevsky's intense and disturbing exploration of many deeply felt ideas about the existence of God, freedom of will, the collective nature of guilt, and the disastrous consequences of rationalism. Filled with eloquent voices, this new translation fully realizes the power and dramatic virtuosity of Dostoevsky's most brilliant work.

Dostoevsky studied human nature with passion and precision. He plumbed the depths and never winced at what he found, even when it was beyond his understanding. This extraordinary novel is a recital of his findings, told in the story of four brothers: Dimitri, pleasure-seeking, impatient, unruly; Ivan, brilliant and morose; Alyosha, gentle, loving, honest; and the illegitimate Smerdyakov, sly, silent, cruel. What gives this story its dramatic grip is the part these brothers play in their father's murder.

The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries. "The Brothers Karamazov stands as the culmination of Dostoevsky's art—his last, longest, richest, and most capacious book," said The Washington Post Book World. "Nothing is outside Dostoevsky's province," observed Virginia Woolf. "Out of Shakespeare there is no more exciting reading."